Graffiti Watch by Richard Mille and Kongo
A $685,000 time piece seems like it would be far removed from the rough-and-tumble world of legally dubious street art, but graffiti artist Cyril Phan, better known as Kongo, would argue otherwise. He teamed up with watchmakers Richard Mille in order to produce the RM 68-01 Tourbillon Cyril Kongo, and the experience was, in some ways, […]The post Graffiti Watch by Richard Mille and Kongo appeared first on Pursuitist.
A $685,000 time piece seems like it would be far removed from the rough-and-tumble world of legally dubious street art, but graffiti artist Cyril Phan, better known as Kongo, would argue otherwise. He teamed up with watchmakers Richard Mille in order to produce the RM 68-01 Tourbillon Cyril Kongo, and the experience was, in some ways, very similar to the experience of tagging public property. “When I first began applying colour to the watch, I felt the same tension I experienced when I was about to illegally paint a wall or sketch an outline on a train or truck,” said Kongo. “You don?t know what might happen, you wonder if you?ll be seized the first time your finger unleashes the nozzle, or the tenth, or if you?ll be able to finish your piece and take off after snapping its pic.” The technical difficulty of painting such a small object contributed to the tension that Kongo felt. He was required to paint each individual mechanical part in the watch, some of which were barely a few millimeters in length. In addition to rendering the...
A $685,000 time piece seems like it would be far removed from the rough-and-tumble world of legally dubious street art, but graffiti artist Cyril Phan, better known as Kongo, would argue otherwise. He teamed up with watchmakers Richard Mille in order to produce the RM 68-01 Tourbillon Cyril Kongo, and the experience was, in some ways, very similar to the experience of tagging public property. “When I first began applying colour to the watch, I felt the same tension I experienced when I was about to illegally paint a wall or sketch an outline on a train or truck,” said Kongo. “You don?t know what might happen, you wonder if you?ll be seized the first time your finger unleashes the nozzle, or the tenth, or if you?ll be able to finish your piece and take off after snapping its pic.” The technical difficulty of painting such a small object contributed to the tension that Kongo felt. He was required to paint each individual mechanical part in the watch, some of which were barely a few millimeters in length. In addition to rendering the...
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