Pioneering entrepreneur and philanthropist Nachson Mimran has a show of his black and white photography at the Leica Gallery in London’s Mayfair. Compelling for many reasons, says LUX Editor-in-Chief Darius Sanai
Manari Ushigua ? leader of the Sápara Nation, in Naku in the Ecuadorian Amazon; photograph by Nachson Mimran in March 2018
Through my years of commissioning photographers, across art, fashion, travel and portraiture, for LUX and Condé Nast, it has become evident that photography is a two-way lens. The image a photographer (or image-maker, as some prefer) captures is of them, as much as it is of their subject. Send two photographers on a similar mission, and you will see very different results.
A street art project in Libreville, Gabon; photograph by Nachson Mimran, November 2018 This becomes very apparent on viewing the images in Nachson Mimran’s debut show, Photographs from the decade that changed my life, at the Leica Gallery in London. Nachson, a contemporary renaissance man who is part creative, part philanthropist, part social entrepreneur, part philosopher and part tycoon, was not commissioned by anyone to create these images: they are a selection of photographs he took on his travels over ten years.
With his Leica Monochrom cameras (distinctive, niche, digital rangefinders) Mimran chronicled people and life everywhere from Bangladesh and Uganda to the Swiss Alps and West Africa, where he grew up.
Tribesmen from Turkana, Kenya; photograph by Nac...